Who I Am – The girl as a marionette above the crowd.
Year| 2024
Role| Concept & Illustration
Medium| Digital painting(Procreate )
Usage| Magazine full-page / opener;web hero
Output| A4 210×297 mm @300 dpi (CMYK);Web 1600 px 宽 @72 dpi (sRGB)
Status| Self-initiated / Personal project
Keywords| identity, social pressure, marionette, mask, crowd
A girl hangs like a marionette above an applauding crowd; the half-mask hints at identity shaped by others’ expectations.
The passing of joyful times.-Childhood innocence against decay
Unicorn in Classroom – Fantasy intruding into a bleak setting.
Drifting in a Bottle – A fragile escape across stormy seas.
The Rusted Ferris Wheel – Memories of abandoned joy.
The Abandoned World– Landscapes filled with discarded ruins.
Journey with the Origami Crane – A fragile guide through desolation.
The Sea of Paper Cranes – Fragile hope against overwhelming waves.
Year| 2024
Role| Concept & Illustration
Medium| Mixed media (digital painting, pencil, texture collage)
Format| Double-page spreads, sequential illustrations
Usage| Editorial feature / Exhibition panels
Theme| Environmental ruin, abandonment, resilience
A girl and an origami crane journey through a world of discarded objects, confronting themes of loss, resilience, and hope.
This series critiques modern society’s habit of discarding things too easily, from material goods to emotions. Through surreal landscapes of ruins, the story explores resilience and the search for meaning in a fragile world.
Morning in the Attic – Sunlight reveals a hidden world.
The Shifting City Life – A quiet balcony amid urban noise.
Year| 2025
Role| Illustration & Design
Medium| Digital painting (Procreate)
Format| Mock-up for The New Yorker magazine cover
These pieces reinterpret everyday narratives as editorial illustrations. By visualizing both private and public spaces, they highlight emotional resonance in contemporary life, echoing the style of modern magazine storytelling.